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| Zeichenerklärung | ||
| Wir lernen uns kennen............................................................ | ||
| HALLO, WER BIST DU? | ||
| Unsere Stimme .................................................................................. | ||
| Atmung | ||
| Tonerzeuger | ||
| Resonanzkörper | ||
| OLD MAC DONALD | ||
| Notenschrift 1 ....................................................................................... | ||
| Notenwerte und Pausen | ||
| Moved notes: Notenwerte-Bewegungsspiel | ||
| Notenwerte-Domino | ||
| Wir machen Musik ......................................................................... | ||
| Wir lernen Instrumente kennen | ||
| Instrumenten-Erkennungsspiel | ||
| HEY, HEY | ||
| Wir hören zu ........................................................................................... | ||
| Auf der Suche nach Klängen | ||
| und Geräuschen | ||
| Hör-Orientierungslauf | ||
| Wir spielen auf körpereigenen | ||
| Instrumenten........................................................................................ | ||
| Spiel-mit-Satz zu Piccadilly-Marsch | ||
| Wolfgang Amadeus Mozart | ||
| Aus meinen Erinnerungen | ||
| Sinfonie | ||
| Sonate | ||
| Lautschulung für den Vokal „O" .............................. | ||
| O-REIM | ||
| Metrum .......................................................................................................... | ||
| Metronom | ||
| Kanon | ||
| METRUM-KANON | ||
| Übungen mit der Metrumzeile | ||
| I LIKETO EAT/DRINK | ||
| Ludwig van Beethoven ........................................................... | ||
| Für Elise | ||
| Achtung Aufnahme | ||
| Notenschrift 2 ....................................................................................... | ||
| Tonhöhen | ||
| Oktavräume | ||
| C-Dur-Tonleiter | ||
| NOTENNAMEN-KANON | ||
| SCALE SONG | ||
| Lautstärke in der Musik | ||
| Dynamische Zeichen | ||
| Dynamik-Karussell | ||
| Dynamische Verläufe | ||
| Dynamik dirigieren | ||
| GAR FINSTER IST'S IM TIEFEN WALD | ||
| Hörquiz | ||
| Zweiteilige Liedform | ||
| FRÖHLICH IST DIE WEIHNACHTSZEIT | ||
| Deutscher Tanz | ||
| Takt ....................................................................................................................... | ||
| Takt-Spiele | ||
| Poptanz ......................................................................................................... | ||
| Warm-up: Feel the Beat! | ||
| Tanzbausteine | ||
| Lern o n Tree | ||
| Rhythmus .................................................................................................... | ||
| Vom Metrum zum Rhythmus | ||
| Punktierte Noten | ||
| EI-SPRECHKANON | ||
| 4 | ||
| 5 | ||
| 5 | ||
| 6 | ||
| 6 | ||
| 6 | ||
| 7 | ||
| 7 | ||
| 9 | ||
| 9 | ||
| 9 | ||
| 10 | ||
| 11 | ||
| 11 | ||
| 11 | ||
| 12 | ||
| 14 | ||
| 14 | ||
| 15 | ||
| 16 | ||
| 17 | ||
| 18 | ||
| 18 | ||
| 19 | ||
| 22 | ||
| 23 | ||
| 23 | ||
| 24 | ||
| 24 | ||
| 24 | ||
| 24 | ||
| 25 | ||
| 27 | ||
| 28 | ||
| 28 | ||
| 30 | ||
| 31 | ||
| 31 | ||
| 31 | ||
| 32 | ||
| 33 | ||
| 33 | ||
| 34 | ||
| 34 | ||
| 34 | ||
| 35 | ||
| 35 | ||
| 36 | ||
| 37 | ||
| 38 | ||
| 38 | ||
| 39 | ||
| 41 | ||
| 42 | ||
| 43 | ||
| 43 | ||
| 44 | ||
| 45 | ||
| 46 | ||
| 46 | ||
| 47 | ||
| 47 | ||
| 10 | ||
| 11 | ||
| 12 | ||
| 13 | ||
| 14 | ||
| 15 | ||
| 16 | ||
| Go on rhythm | ||
| Rhythmus-Tor | ||
| BLUMENMENÜ | ||
| 17 | Lautschulung für den Vokal „U" | 51 |
| U-REIM | 51 | |
| Wir experimentieren mit | ||
| unserer Stimme | 52 | |
| 52 | ||
| 52 | ||
| 53 | ||
| 54 | ||
| ...................................................55 | ||
| 55 | ||
| 56 | ||
| ........................................... 58 | ||
| 58 | ||
| 59 | ||
| 59 | ||
| 60 | ||
| 21 | Versetzungszeichen | 61 |
| Rätselwörter | 61 | |
| Geheimbotschaft im Zoo | 62 | |
| Dur-Tonleitern mit Versetzungszeichen | 62 | |
| LIED VOM MÜLL | 63 | |
| OH, SUSANNA | 64 | |
| 22 | Dreiteilige Formen | 66 |
| ROCK MY SOUL | 66 | |
| MUSETTE | 68 | |
| Klavier | 69 | |
| ZAUBERLIED | 70 | |
| 23 | Lautschulung für den Vokal „A" | 71 |
| A-REIM | 71 | |
| 24 | Joseph Haydn | 72 |
| Führung durch ein Haydn-Museum | 72 | |
| Sinfonie Nr. 94 mit dem Paukenschlag | 74 | |
| 25 | Wir tanzen eine Geschichte | 76 |
| Karneval der Tiere | 76 | |
| 26 | Auf der Showbühne | 80 |
| SCHULBLUES | 80 | |
| 27 | Tanz aus Rumänien | 81 |
| Alunelul | 81 | |
| 28 | Auf der Musikmesse | 82 |
| 29 | Lautschulung für den Vokal„l" | 85 |
| l-REIM | 85 | |
| 30 | Musikalische Bausteine | 86 |
| BEETHOVEN-SONG | 86 | |
| Schicksalsmotiv | 87 | |
| 31 | Dreiklang | 88 |
| DREIKLANGSKANON | 88 | |
| KOOKABURRA | 89 | |
| 32 | Tempo | 90 |
| Tempobezeichnungen | 90 | |
| TANCUJ-TANZ NUR | 91 | |
| 33 | Lautschulung für den Vokal „E" | 92 |
| E-REIM | 92 | |
| 34 | Klänge in der Musik | 93 |
| Toneigenschaften | 93 | |
| Klangbilder | 93 | |
| Musikinstrumente und ihr Klang | 94 | |
| 35 | Tanzlied aus Südamerika | 95 |
| UN POQUITO CANTAS | 95 | |
| 36 | Bewegungslied | 97 |
| MIT MUSIK GEHT ALLES BESSER | 97 | |
| 37 | Weißt du noch? | 99 |
| 48 | ||
| 49 | ||
| 50 | ||
| 18 | ||
Die Klang-Achterbahn | ||
| In der Klangstraße | ||
| Wenn Wörter klingen | ||
| Die Stimme in Neuer Musik | ||
| Partitur ......................................................... | ||
| VITAMIN-RAP | ||
| JE JE JE | ||
| Intervalle .................................................... | ||
| INTERVALL-SONG | ||
| Liedanfänge | ||
| Intervall-Zeile | ||
| Intervall-Spiel | ||
| 19 | ||
| 0 | ||
| 8 | Musik im Fernsehen | 99 |
| MATTSCHEIBEN-MI LLI | 100 | |
| Eurovisionsmelodie | 101 | |
| 9 | Taktspezial | 103 |
| Auftakt | 103 | |
| WAS WILLST DENN DU? | 103 | |
| WAKE UP | 104 | |
| Verschiedene Taktarten | 104 | |
| Geheimnisvoller Reigen der jungen Mädchen | 105 | |
| 40 | Marsch | 106 |
| Berühmte Märsche | 107 | |
| Marsch-Performance | 108 | |
| 41 | Spielen mit Boomwhackers: Peanuts | 109 |
| PEANUTS | 109 | |
| 42 | Noten mit Versetzungszeichen | III |
| Enharmonische Verwechslung | 112 | |
| SHARP AND FLAT | 112 | |
| 43 | O-Rap | 113 |
| 44 | Volksmusik aus Südosteuropa | 114 |
| ERNTE-KOLO | 114 | |
| DAGLAR GÍBÍ DALGALARI | 115 | |
| 45 | Wir reagieren musikalisch | 116 |
| Reifenhüpfer-Spiele | 116 | |
| Johannes Brahms | 116 | |
| 46 | Trióle | 118 |
| LEFT | 118 | |
| Bolero | 119 | |
| SINGTOGETHER | 119 | |
| 47 | Variation | 120 |
| AH, VOUS DIRAI-JE, MAMAN | 120 | |
| Variations-Spektakel | 121 | |
| Mozartvariationen | 121 | |
| Ah, vous dirai-je, Maman im modernen Sound | 123 | |
| 48 | Weihnacht | 125 |
| THETWELVE DAYS OF CHRISTMAS | 125 | |
| 49 | Ausgewählte Instrumente und Ensembles | 127 |
| Instrumente selbst gemacht | 127 | |
| Instrumentalensembles in verschiedenen | ||
| Besetzungen | 128 | |
| Die Instrumente des Orchesters | 129 | |
| 50 | Musik hören und darstellen | 130 |
| Musik in Bilder umsetzen | 130 | |
| Musik in Bewegung umsetzen | 131 | |
| 51 | U-Rap | 132 |
| 52 | Terzen und Dreiklänge | 133 |
| DREIKLANGSMELODIE | 134 | |
| Improvisation mit Dreiklang und Tonleiter | 135 | |
| 53 | Lateinamerikanische Musik | 136 |
| Oye como va | 136 | |
| LA BAMBA | 138 | |
| 54 | Synkope | 140 |
| VIVA LA MUSICA | 140 | |
| FREUDE, SCHÖNER GÖTTERFUNKEN | 141 | |
| 55 | Stimmlagen | 142 |
| Playbacksingen | 142 | |
| 56 | Ä-Rap | 144 |
| 57 | Pentatonik | 145 |
| WANSHIA | 145 | |
| LAND OFTHE SILVER BIRCH | 146 | |
| 58 | Johann Sebastian Bach | 148 |
| Biografischer RunderTisch | 148 | |
| Wichtige Stationen | ||
| im Leben Johann Sebastian Bachs | 149 | |
| Bach und die Orgel | 149 | |
| Bach und das Klavier | 150 | |
| Bachs Orchestermusik | 151 | |
| 59 | Rondo | 152 |
| Kettenrondo | 152 | |
| WENNWANNWOWASWIEWER?!? | 152 | |
| Johann Sebastian Bach: Violinkonzert in E-Dur | 153 | |
| Bogenrondo | 154 | |
| 60 | Moll | 155 |
| Von Dur zu Moll | 155 | |
| Moll-Tonleitern | 155 | |
| LADY AND MISTER COOL | 156 | |
| Frederic Chopin | 157 | |
| 61 | I-Rap | 158 |
| 62 | Komponistenwerkstatt | 159 |
| MotivitoM | 159 | |
| 63 | Musiktheater | 160 |
| Tanz der Vampire - Ein Musical | 160 | |
| Szenen-Standbilder | 161 | |
| CARPENOCTEM | 163 | |
| 64 | Peer Gynt | 164 |
| Morgenstimmung | 164 | |
| In der Halle des Bergkönigs | 165 | |
| 65 | Lieder und ihre Texte | 167 |
| RAUCH IMWIND | 167 | |
| Über den Text | 168 | |
| Liedinhalte | 169 | |
| 66 | Musik zu Anlässen | 170 |
| Feuerwerksmusik | 170 | |
| Georg Friedrich Händel | 173 | |
| 67 | E-Rap | 174 |
| 68 | Musik aus Afrika | 175 |
| Ein Lied aus Guinea | 175 | |
| BAGA GINE - DIE BAGA-FRAU | 175 | |
| Pata Pata | 176 | |
| 69 | Musik aus Nordamerika | 178 |
| CountryMusic | 178 | |
| Country and Western | 178 | |
| Yankee Doodle - Für Freiheit und Unabhängigkeit | 179 | |
| YANKEE DOODLE | 179 | |
| Square Dance | 180 | |
| O MARY, O MARTHA | 182 | |
| 70 | Musik aus unserer Zeit | 183 |
| B Grafische Notation | 183 | |
| Vokalkomposition - Insekten | 184 | |
| Instrumentalkomposition - Exchange | 186 | |
| 71 | Schulschluss | 188 |
| SUZIE AND JOHNNY | 188 | |
| 72 | Anhang | 189 |
| Verzeichnis der Hörbeispiele | 189 | |
| Multimedia-Verzeichnis | 192 | |
| Sachverzeichnis | 194 | |
| Personenverzeichnis | 194 | |
| Liedverzeichnis | 195 | |
| Quellenverzeichnis/Impressum | 196 | |