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Autoren:
Verlag:
Wolke Verlagsges. Mbh Weitere Titel dieses Verlages anzeigen
INHALT | ||||||
Einleitung | 13 | |||||
KAPITEL1 | John Coltrane und die modale Spielweise | 25 | ||||
KAPITEL2 | Charles Mingus | 45 | ||||
KAPITEL3 | Ornette Coleman | 55 | ||||
KAPITEL4 | Cecil Taylor | 81 | ||||
KAPITEL5 | John Coltrane 1965 - 1967 | 103 | ||||
KAPITEL6 | Archie Shepp | 127 | ||||
KAPITEL7 | Albert Ayler | 147 | ||||
KAPITEL8 | Don Cherry | 161 | ||||
KAPITEL9 | Die "Chicagoer" | 195 | ||||
KAPITEL10 | Sun Ra | 217 | ||||
Diskographische Anmerkungen | 241 | |||||
Literaturverzeichnis | 248 | |||||
Personen- und Sachregister | 253 |
REGISTER
AAbrams, Richard 195-202, 208
Adderley, Julian 29-33
Afrikanismen 137
Ali, Rashied 116, 120-121
Allen, Marshall 234
Anderson, Arild 180
"Anti-Jazz" 41
Art Ensemble of Chicago 194, 200, 210-215
Artikulation 129-130
Association for the Advancement of Creative Musicians (AACM) 195-215
Atonalität 91
Ayler, Albert 104, 146, 147-159, 168-169
- Ghosts 147, 151-155
- New York Eye and Ear Control 155-156, 234
- Witches and Devils 152-153
Ayler, Donald 104, 148, 157
B
Barbieri, "Gato" Leandro 169, 173, 176
Bass, Fontella 210
beat 26, 87
Bennink, Han 18, 181
Berendt, Joachim Ernst 85, 165, 221, 229
Berger, Karlhanns 169, 176-177
Bewegungs-Cluster 141
Big Band Free Jazz 219-221
Blackwell, Ed 71, 79, 137, 169, 173, 175, 181, 191
Bley, Carla 220
Bley, Paul 163
Bowie, Lester 294, 199-200, 210-215
Braxton, Anthony 11, 199-200, 207-210, 211
Brown, Clifford 162
Brown, Marion 104-106, 109-110, 135, 228
Brötzmann, Peter 18
Brubeck, Dave 82-83
Burns, Ken 10
Byard, Jackie 82
CCagejohn 199
Chambers, Paul 29
Chandler, Gene 199
Charles, Dennis 86-87, 137
Charles, Frank 137
Charles, Teddy 49
Cherry, Don 21, 36, 57-58, 71, 132-134, 155, 160, 161193, 189
Carpentras Concert 181 -182
Complete Communion 169-177- Eternal Rhythm 177-180
- Face of the Bass 163-165- Mu 181-192
- Symphony for Improvisers 169-177
Clay, James 162, 199
Cluster 90-91
Cobb Jimmy, 29
Cobbs,
Call 158
Coleman, Ornette 6, 13, 25, 37, 54, 55-79, 73, 78, 86, 131, 162-168, 199
Chronology 62-62
Congeniality 69-70- Forerunner 67
- Free Jazz 66, 71-74, 108, 234
- Long Time No See 75-77- Mind and Time 69
- Tears Inside 58-62, 66
Coleman, Ornette Denardo 77
Coltrane, Alice McLoed 116, 118, 124
Coltranejohn 24, 25-43, 86, 103-126, 119, 129, , 130, 135, 199
- Ascension 105-116, 202, 234
- Flamenco Sketches 30-33- Giant Steps 33-34
- India 38-41
- Love-Supreme 42-43, 107-108- Milestones 26-27
- My Favorite Things 34-36, 122-123
Connor, Norman 137
Corea, Chick 210
Cranshaw, Bob 167, 197
Curson, Ted 49, 52-53, 135
Cyrille, Andrew 88, 96-102
DDauner, Wolfgang 18
Davis, Art 105
Davis, Miles 26-33, 162
Desmond, Paul 199
Dixon, Bill 103-104, 131-132, 218
Dolphy, Eric 36-41, 52-53, 71, 231
Dorham, Kenny 86
Dudek, Gerd 126
EEldridge, Roy 67
Ellington, Duke 45-46, 139
Ellis, Don 115
Energie-Rhythmik (energy-playing) 85-89, 92, 109
Ervin, Booker 49
Evans, Bill 29
Evans, Gil 33
Evans, Richard 218
Experimental Band 195 -197, 200
FFallay, Muffy 177
Farell, Joe 126
Farmer, Art 162
Favors, Malachi 200, 210-215
Feather, Leonard 13, 55
Form 49-51, 170-171
Friedman, Joel 158
Funktionsharmonik 26, 90
GGale Stevens, Jr., Eddie 96-102
Gamelan 178-179
Garrett, Donald 141
Garrison, Jimmy 105, 116
Geräuschbänder 237
Gilmore, J ohn 218, 222, 226, 231, 234
Globe Unity Orchestra 203, 220
Gordon, Dexter 162
Graves, Milford 103, 157
Greene, Burton 103
Griffith, Earl 92
Grimes, Henry 87, 96, 167, 169, 175
Guy, Barry 18, 220
HHaden, Charles 48, 57-58, 71, 78, 79
Harris, Beaver 135, 137, 140-141, 157
Hawkins, Coleman 217
Hayes, Louis 86
Heath, Percy 58
Henderson, Fletcher 217
Herndorn, Jim 223
Higgins, Billy 57-58, 71, 162, 167
Hill, Nicky 197
Holland, Dave 210
Howard, Norman 155
Hoyle, Art 22
Hubbard, Freddie 71, 105-108, 115
Hultkrantz, Torbjörn 177
Hutcherson, Bobby 135, 138, 140
IImprovisation, motivische 61-62, 151, 163-165
Intonation 64-65
Israels, Chuck 86
Izenzon, David 57, 73-74
JJarman, Joseph 195-200, 201, 204-207, 210-215
Jazz Composers Guild 131, 148, 195, 218
Jazz Composers Orchestra 219-220
Jazzkritik 41, 217, 229
Jenkins, Leroy 208
Jenny-Clark, Jean Francois 169
Johnson, Dewey 103, 105-106, 115
Johnson, J.J. 93
Johnson, Reggie 135
Jones, Elvin 34, 39-40, 105, 116-117, 120, 252
Jones, LeRoi 17, 104, 147
Jordan, Clifford 49
KKelly, Winton 29
Kenton, Stan 93
Kettenas soziation, motivische 61 62, 71
King, Albert 199
Kirk, Roland 49
Klangblöcke 142-145
Klangbögen 151-153, 156
Klangfarbe 39, 64, 212-213
Klangfläche 109, 142, 202-203
Klangimprovisation 77-79, 109-110, 202-203
Knepper, Jimmy 48
Kollektivimprovisation 51-52, 71-72, 105, 155-156
Kollektivkomposition 48, 94
Komposition, multi-thematische 170-177
Konitz, Lee 133, 199
Koverhult, Tommy 177
Kühnjoachim 177-178
LLacy, Steve 92
La Faro, Scott 48, 71
La Porta, John 49
Lateef, Jusef 217
Lewis, John 57, 93
Little, Booker 231
Lloyd, Charles 126
Logan, Giuseppi 103
London Jazz Composers Orchestra 220
Lyonsjimmy 87, 96-102
MMacero, Teo 49
Mangelsdorff, Albert 177
Manne, Shelly 58
Mantler, Mike 103, 220
Marsalis, Wynton 10
Marsh, Warne 199
Material, thematisches (Funktion) 25, 67-68, 154, 157, 170, 182-183
McIntyre, Ken 96-102
McPherson, Charles 49
Mehrklänge (multiphonics) 39
Meinert, Carsten 126
Melodien, endlose 186-188
Metrum 51
Miller, Jesse 217
Mingus, Charles 37, 44, 45-53, 238
- Folk Forms No.1 52-53
- What Love 46-47
Mitchell, Red 58
Mitchell, Roscoe 12, 194, 198-207, 210-219
Modalität, modale Improvisation 26-33, 35, 38-41, 105106, 173-175
Moffet, Charles 57, 73-74, 135
Moncur III, Grachan 135, 140
Monk, Thelonious 28-29
Morgan, Lee 129
Murray, Sunny 87-89, 93, 148, 151, 155, 212-213
NNeidlinger, Buell 83-84, 86-87, 127
Newman, David 199
New York Art Quartet 140
New York Contemporary Five 132-134, 168
Notation, Probleme der 21
OOctober Revolution in Jazz 103-104, 195, 218
off-beat 26, 85
PPatrick, Pat 222, 234
Peacock, Garry 148, 151, 155
Perkins, Walter 197
Portal, Michel 18
RRauhe, Hermann 18
Redman, Dewey 73, 79
Richmond, Dannie 48-49, 52
Rollins, Sonny 61, 167-169
Romano, Aldo 169
Rosengren, Bernt 177-178
Rubato-Balladen 123-125, 186
Rudd, Roswell 103, 135, 140-141, 145, 155-156
Russell, George 37
Rutherford, Paul 18
SSain, Oliver 199
Samson, Michel 158
Sanders, Pharoah 105-106, 109, 116-117, 121, 126, 169, 176
Schlippenbach, Alexander von 18, 203
Schuller, Gunther 19, 23, 57, 129
Scott, Sherri 206
Sequenzierungen 42-43, 122
Sharrock, Sonny 177
sheets of sound 120-121
Shepp, Archie 86-87, 104-106, 109, 127-145, 128, 138, 163, 206, 218
- In a Sentimental Mood 139, 142-144
- Magic of Juju 137- Onthis Night 139
- Quartet 131-32
Somewhere 132
- Wherever June Bugs Go 141 -142
Shorter, Alan 135
Shorter, Wayne 126
Silva, Alan 96, 103
Smith, Leo 208
Smith, Stuff 217
Spencer, Christine 139
Stephan, Rudolf 15
Stewart, Rex 199
Stockhausen, Karlheinz 199
Sun Ra 104, 216, 217-239, 233
- Cosmic Explorer 236-238
- Futuristic Sounds 223-224
- Heliocentric Worlds 224-229, 234-235
- Saturn 222-229
Surman, John 126
Swallow, Steve 48
swing (rhythmische Qualität) 86-89
Synthesizer 235-237
TTasteninstrumente, elektronische 235-237
Taylor, Cecil 80, 81-102, 88, 117, 121, 127-31, 148, 202, 218
- Enter Evening 89-90, 95
- Unit Structures 94-96, 102
Taylor, Penelope 204, 206
Tchicai, John 103, 105-106, 110-111, 133-135, 140, 155156
Technik, instrumentale 74-75
Temiz, Okay 184
Tempo 51, 89, 165-166
Texjoe 199
Thelin, Eje 177
Thollot, Jacques 177, 180
Tolliver, Charles 104
tonales Zentrum 60-62, 71, 91
Tonalität 60-62, 91, 173
Tonhöhe 64-65
Transkription, Probleme der 21-22
Tristano, Lennie 51, 82-83
Turrentine, Tommy 135
Tyner, McCoy 34-35, 40, 105-106, 112, 116-120
Tyson, June 231
WWennerström, Leif 177
Williams, Cootie 199
Workman, Reggie 135
Worrell, Louis 103, 141
Wright, Gene 217
YYoung, Dave 222
ZZadlo, 126