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Autoren:
Verlag:
Ama Verlag Weitere Titel dieses Verlages anzeigen
Inhaltsverzeichnis | ||||||
Vorwort | 5 | |||||
Das Schlagzeug | 6 | |||||
Schlagzeuglegende | 6 | |||||
Notation | 7 | |||||
Grundlagen | 8 | |||||
Haltung | 8 | |||||
Noten- und Pausenwerte | 10 | |||||
Noten lesen | 12 | |||||
Kapitel 1: Achtelnoten | 14 | |||||
Achtelnoten und -pausen | 14 | |||||
Punktierte Viertelnoten | 15 | |||||
Vorübungen für Achtelbeats mit HiHat/Snare und HiHat/Bassdrum | 16 | |||||
Achtel-Rockbeats | 17 | |||||
Achtelbeats und Achtelbreaks | 18 | |||||
HiHat öffnen | 20 | |||||
Randschläge (Rim Click) | 21 | |||||
Achtelbegleitung Ride mit HiHat Fuß | 22 | |||||
Achtelbeats Ride mit HiHat Fuß | 23 | |||||
Kapitel 2: Sechzehntelnoten | 25 | |||||
Sechzehntelbreaks auf Snare und Toms | 25 | |||||
4-Takt-Formen (Beats und Breaks) | 26 | |||||
Breaks mit Viertel-, Achtel- und Sechzehntelnoten | 27 | |||||
Beats und Breaks mit Viertel-, Achtel- und Sechzehntelnoten | 28 | |||||
Sechzehntel-Zwischenschläge auf der Snare | 29 | |||||
Sechzehntel-Zwischenschläge mit der Bassdrum | 30 | |||||
Sechzehntel-Zwischenschläge mit Snare, Toms, HiHat und Bassdrum | 31 | |||||
Achtelbeats mit Sechzehntel-Zwischenschlägen | 32 | |||||
4-Takt-Formen (Beats und Breaks) | 34 | |||||
Sechzehntelbreaks mit Bassdrum | 35 | |||||
Sechzehntel-Rock- und Funkbeats | 37 | |||||
Beidhändig gespielte Sechzehntelbeats | 38 | |||||
Sechzehntelgruppen (ta-ga-te-ge) | 39 | |||||
Zweitaktige Sechzehntelmuster (ta-ga-te-ge) | 40 | |||||
Sechzehntelbreaks mit Pausen | 41 | |||||
Sechzehntelrhythmus lesen | 42 | |||||
4-Takt-Formen (Beats und Breaks) | 44 | |||||
Kapitel 3: Achteltriolen | 46 | |||||
Vorübungen | 46 | |||||
Achteltriolenbeats | 47 | |||||
Achteltriolenbeats und -breaks | 48 | |||||
Beidhändig gespielte Achteltriolenbeats | 49 | |||||
Vorübungen zum Shufflebeat | 50 | |||||
Shufflebeats | 52 | |||||
Half Time Shufflebeats | 53 | |||||
Beats und Breaks | 54 | |||||
Kapitel 4: Soli | 55 | |||||
Solo 1 | 55 | |||||
Solo 2 | 56 | |||||
Solo 3 | 57 | |||||
Solo 4 | 58 | |||||
Kapitel 5: Betonungen | 59 | |||||
Betonungen bei Sechzehntelnoten | 60 | |||||
Betonungen bei Achteltriolen | 61 | |||||
Kapitel 6: Rudiments | 62 | |||||
Die wichtigsten Handsätze | 63 | |||||
Wirbel: Übersicht | 65 | |||||
Kurzschreibweise für Wirbel | 66 | |||||
Varianten | 67 | |||||
Solo 5 | 68 | |||||
Solo 6 | 68 | |||||
Solo 7 | 69 | |||||
Solo 8 | 69 | |||||
Wichtige Zeichen | 70 | |||||
Dynamik-Übungen | 71 | |||||
Solo 9 mit Dynamik | 71 | |||||
Verschiedene Stickings | 72 | |||||
Gemischte Notenwerte | 72 | |||||
Kapitel 7: HiHat- und Ridefiguren | 73 | |||||
Rhythmische HiHat-Begleitungen | 73 | |||||
Ride-Kuppe (Ride Bell) | 75 | |||||
Ride-Kuppe - Grundpattems | 75 | |||||
Kapitel 8: Lineartechnik | 76 | |||||
Linearkonzept | 76 | |||||
Linearbeats | 77 | |||||
Triolische Linearbeats | 78 | |||||
Eigene Linearbeispiele | 79 | |||||
Kapitel 9: Stilübersicht | 80 | |||||
Kapitel 10: Südamerikanische Rhythmen | 83 | |||||
Latin-Grundrhythmen | 83 | |||||
Bossa-Nova-Patterns | 84 | |||||
Ostinato-Fußfiguren | 86 | |||||
Rhythmen für die linke und rechte Hand | 87 | |||||
Sambafiguren | 88 | |||||
Afrokubanische Rhythmen | 89 | |||||
Clave-Figuren | 90 | |||||
Cascara-Figuren | 91 | |||||
Latin-Fuß-Figuren | 92 | |||||
Kapitel 11: Breakbeats, Drum 'n' Bass | 94 | |||||
Eigene Breakbeats konstruieren | 95 | |||||
Kapitel 12: Swing | 96 | |||||
Swing-Vorübungen | 96 | |||||
Triolenfiguren | 99 | |||||
Snare und Bassdrum kombiniert | 101 | |||||
Binär und ternär | 103 | |||||
Achtelnoten im Swing | 104 | |||||
Triolen im Swing | 105 | |||||
Triolenvarianten | 106 | |||||
Unabhängigkeits-Tabelle | 108 | |||||
Kapitel 13: Advanced Beats | 110 | |||||
Hip-Hop-Beats mit Breaks | 110 | |||||
Funky-Beats-Vorübungen auf der Snare | 111 | |||||
Funky Beats | 112 | |||||
Paradiddlebeats | 113 | |||||
Double Paradiddlebeats | 114 | |||||
Fortgeschrittene Breaks | 115 | |||||
Fortgeschrittene Beats und Breaks | 117 | |||||
Funky Triolenbeats | 118 | |||||
Beats und Breaks mit Double Bass (Twinpedal) | 120 | |||||
Weitere Tipps für Double-Bass-Fans | 126 | |||||
HiHat öffnen mit dem linken Fuß | 127 | |||||
Cowbell-Beats | 128 | |||||
Patterns mit zwei Snare Drums | 129 | |||||
Sechzehntelvarianten für Ride und HiHat | 130 | |||||
Kapitel 14: Polyrhythmik | 132 | |||||
Grundfiguren | 132 | |||||
Polyrhythmische Figuren im 4/4-Takt | 133 | |||||
Polyrhythmische Figuren über zwei 4/4-Takte | 134 | |||||
Polyrhythmische Figuren im Triolenraster in einem 4/4-Takt | 135 | |||||
Polyrhythmische Figuren im Triolenraster über zwei 4/4-Takte | 136 | |||||
Polyrhythmische Patterns 1 | 137 | |||||
Polyrhythmische Patterns 2 | 138 | |||||
Polyrhythmische Patterns 3 | 139 | |||||
Kapitel 15: Ungerade Taktarten | 140 | |||||
Skala für ungerade Taktarten | 140 | |||||
Ungerade Metren | 141 | |||||
Kapitel 16: Weitere Soli | 143 | |||||
Solo 10 | 143 | |||||
Solo 11 | 144 | |||||
Solo 12 | 145 | |||||
Solo 13 | 146 | |||||
Solo 14 | 147 | |||||
Solo 15 | 148 | |||||
Kapitel 17: Notenwerte mischen | 149 | |||||
Snareübungen | 149 | |||||
Kapitel 18: Anhang | 151 | |||||
Einige Percussioninstrumente, die du kennen solltest | 151 | |||||
Glossar | 152 | |||||
Schlusswort | 153 | |||||
CD-Trackliste | 154 | |||||
Leere Notensysteme | 155 | |||||
Seite 39 zum Ausschneiden | 159 | |||||
Seite 59 zum Ausschneiden | 160 | |||||
Seite 75 zum Ausschneiden | 161 | |||||
Seite 76 zum Ausschneiden | 162 | |||||
Seite 90 zum Ausschneiden | 163 | |||||
Seite 91 zum Ausschneiden | 164 | |||||
Seite 108 zum Ausschneiden | 165 | |||||
Seite 109 zum Ausschneiden | 166 | |||||
Seite 132 zum Ausschneiden | 167 |