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				<div style="text-align:left;margin-bottom:20px;">  		</div><span itemprop="name" class="title">DuMont Kunst-Reiseführer Peru und Bolivien<br></span><span class="subtitle">Indianerkulturen, Inka-Ruinen und barocke Kolonialpracht der Andenstaaten<br></span><p>Autoren:<br><span itemprop="author" class="author"><b>Rolf Seeler</b></span></p><p>Verlag:<br><b itemprop="publisher">Dumont Reise Vlg  + C</b>&nbsp;&nbsp;<a onclick="SearchPublEnt(66670)" href="#">Weitere Titel dieses Verlages anzeigen</a></p>		
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<span class="notbold">Auflage: </span>3., aktualisierte Auflage, Nachdruck.<br><span class="notbold">Erschienen: </span>Dezember 2011<br><span class="notbold">Seiten: </span>388<br><span class="notbold">Sprache: </span>Deutsch<br><span class="notbold">Preis: </span>25.90 €<br><span class="notbold">Illustration: </span>Zahlr. meist farb. Fotos, Abb. u. Ktn.-Skizz.
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						<div class="right-td"><span class="notbold">Ma&szlig;e: </span>203x154x23<br><span class="notbold">Einband: </span>Taschenbuch<br><span class="notbold">Reihe: </span>DuMont Kunst-Reiseführer<br><span class="notbold">ISBN: </span>9783770147861			</div>
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						<h1><a href="_9783770147861_inhalt.html">Inhaltsverzeichnis</a></h1>
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<!--#L0--><p><font size=5><i><b>Inhalt</font></i></b></p><!--/#L0-->
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<table width=100% align=center>
<tr><td width=92%><b>Vorwort</b><td valign=top align=right width=8%><font size=2>10</font>
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<!--#L0--><tr><td width=92%><font size=4><i><b>Kulturgeschichte der Zentralanden</font></i></b><td valign=top align=right width=8%><!--/#L0-->
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<!--#L1--><tr><td width=92%><b>Natur- und Lebensraum</b><td valign=top align=right width=8%><font size=2>12</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Landschaften und Klima</font><td valign=top align=right width=8%><font size=2>12</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die Beringlandbrücke als kontinentales Einfallstor</font><td valign=top align=right width=8%><font size=2>13</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Auf den Spuren der Paläoindianer: Zehntausend Jahre alte Felsbilder</font><td valign=top align=right width=8%><font size=2>14</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die altperuanische Weltsicht</font><td valign=top align=right width=8%><font size=2>16</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Von der archaischen zur formativen Periode</font><td valign=top align=right width=8%><font size=2>18</font>
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<!--#L1--><tr><td width=92%><b>Kulturen, Kulte, Kunsthandwerk</b><td valign=top align=right width=8%><font size=2>20</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Die "Wissenschaft des Spatens" erforscht schriftloses Terrain</font><td valign=top align=right width=8%><font size=2>20</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Indianisches Formgefühl</font><td valign=top align=right width=8%><font size=2>23</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Wasserbaukunst an fünfundzwanzig Nilen</font><td valign=top align=right width=8%><font size=2>25</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Der Koka-Kuh</font><td valign=top align=right width=8%><font size=2>28</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Schamanen auf Seelenreise</font><td valign=top align=right width=8%><font size=2>30</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Ein Archipel von zweitausend Sprachen</font><td valign=top align=right width=8%><font size=2>32</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Musik aus Steinen</font><td valign=top align=right width=8%><font size=2>34</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Textilkunst: Von der Steinschleuder zum Papageienfedermantel</font><td valign=top align=right width=8%><font size=2>36</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Schweißperlen der Sonne und Tränen des Mondes: die Verarbeitung von Gold und Silber</font><td valign=top align=right width=8%><font size=2>40</font>
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<!--#L1--><tr><td width=92%><b>Horizonte und Kulturkreise der Vor-Inkazeit</b><td valign=top align=right width=8%><font size=2>43</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Ecuador: Wiege der Andenhochkulturen</font><td valign=top align=right width=8%><font size=2>43</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Chavin - die Klassiker Altperus</font><td valign=top align=right width=8%><font size=2>47</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Grabräuber heben den Frias-Goldschatz</font><td valign=top align=right width=8%><font size=2>49</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Der unterirdische Basar von Paracas</font><td valign=top align=right width=8%><font size=2>51</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Im Farbenrausch der Nasca-Töpferei</font><td valign=top align=right width=8%><font size=2>52</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Das keramische Bilderbuch der Mochica</font><td valign=top align=right width=8%><font size=2>54</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die Pan-Horizonte von Tiwanaku und Wari</font><td valign=top align=right width=8%><font size=2>55</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Im Reich der Chimú</font><td valign=top align=right width=8%><font size=2>57</font>
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<!--#L1--><tr><td width=92%><b>Das Inkareich Tawantinsuyu</b><td valign=top align=right width=8%><font size=2>59</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Ursprungssagen und Geschichte</font><td valign=top align=right width=8%><font size=2>59</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Großohren im Dienst der Sonnenkönige: Staat und Gesellschaft</font><td valign=top align=right width=8%><font size=2>62</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Agavenseilbrücken und Inkastraßen</font><td valign=top align=right width=8%><font size=2>65</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Höhlen, Waqa, Heilige</font><td valign=top align=right width=8%><font size=2>68</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Knotenschnüre als Datenspeicher</font><td valign=top align=right width=8%><font size=2>69</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Eine auf Stein gebaute Kultur: Architektur und Kunsthandwerk</font><td valign=top align=right width=8%><font size=2>71</font>
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<!--#L1--><tr><td width=92%><b>Konquista und Kolonialzeit</b><td valign=top align=right width=8%><font size=2>74</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Das abendländische Weltbild</font><td valign=top align=right width=8%><font size=2>74</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die spanische Eroberung Amerikas</font><td valign=top align=right width=8%><font size=2>76</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Goldene Trophäen und Schwarze Legenden</font><td valign=top align=right width=8%><font size=2>79</font>
<tr><td valign=top width=3%><td width=89%><font size=2>"Ohne Indios kein Indien": Die Inwertsetzung des eroberten Gebietes</font><td valign=top align=right width=8%><font size=2>82</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Von der Waqa zum Taufbecken: Missionierung und Götzenjagd</font><td valign=top align=right width=8%><font size=2>85</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Adobe-Architektur und "Indianerbarock"</font><td valign=top align=right width=8%><font size=2>88</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die neuweltliche Malkunst</font><td valign=top align=right width=8%><font size=2>90</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Märtyrer aus Agaven-Mache: Die plastische Kunst</font><td valign=top align=right width=8%><font size=2>93</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Möbel vom Silberschmied</font><td valign=top align=right width=8%><font size=2>96</font>
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<!--#L1--><tr><td width=92%><b>Seit der Konquista: Zeittafel</b><td valign=top align=right width=8%><font size=2>96</font><!--/#L1-->
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<!--#L1--><tr><td width=92%><b>Peru und Bolivien bis heute: Die republikanische Epoche</b><td valign=top align=right width=8%><font size=2>101</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Auf der Suche nach Identität</font><td valign=top align=right width=8%><font size=2>101</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Instrumentalisierte Kunst: Das 19. Jahrhundert</font><td valign=top align=right width=8%><font size=2>102</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Zeitgenössische Malerei</font><td valign=top align=right width=8%><font size=2>107</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Indigenismus, Modernismus, Neorealismus: Die Literatur</font><td valign=top align=right width=8%><font size=2>110</font>
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<!--#L1--><tr><td width=92%><b>Bedeutende Persönlichkeiten</b><td valign=top align=right width=8%><font size=2>117</font><!--/#L1-->
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<!--#L0--><tr><td width=92%><font size=4><i><b>Unterwegs in Peru und Bolivien</font></i></b><td valign=top align=right width=8%><!--/#L0-->
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<!--#L1--><tr><td width=92%><b>Lima als Theatrum Mundi</b><td valign=top align=right width=8%><font size=2>122</font><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Eine barocke Geschichte</font><td valign=top align=right width=8%><font size=2>124</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Projekt 2010</font><td valign=top align=right width=8%><font size=2>127</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Kirchen, Klöster, Ketzergericht</font><td valign=top align=right width=8%><font size=2>131</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die Stadtpaläste des Patriziats</font><td valign=top align=right width=8%><font size=2>147</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Geborgene Schätze - Limas Museumslandschaft</font><td valign=top align=right width=8%><font size=2>151</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Sucre - eine andalusische Stadt</font><td valign=top align=right width=8%><font size=2>309</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Kulturgrenzen am Nebelwald</font><td valign=top align=right width=8%><font size=2>319</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Tempelfesten und Felsheiligtümer</font><td valign=top align=right width=8%><font size=2>321</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Utopische Städte der Jesuiten</font><td valign=top align=right width=8%><font size=2>324</font>
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<tr><td valign=top width=3%><td width=89%><font size=2>Glossar</font><td valign=top align=right width=8%><font size=2>329</font>
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<!--#L0--><tr><td width=92%><font size=4><i><b>Praktische Reiseinfonnationen</font></i></b><td valign=top align=right width=8%><!--/#L0-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Hinweise für die Reiseplanung</font><td valign=top align=right width=8%><font size=2>339</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Informationen für unterwegs - Von Ort zu Ort</font><td valign=top align=right width=8%><font size=2>342</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Kurzinformationen von A bis Z</font><td valign=top align=right width=8%><font size=2>363</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Literaturauswahl</font><td valign=top align=right width=8%><font size=2>371</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Abbildungsnachweis</font><td valign=top align=right width=8%><font size=2>372</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Register</font><td valign=top align=right width=8%><font size=2>373</font>
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<!--#L1--><tr><td width=92%><b>Verzeichnis der Karten und Pläne</b><td valign=top align=right width=8%><!--/#L1-->
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<tr><td valign=top width=3%><td width=89%><font size=2>Arequipa</font><td valign=top align=right width=8%><font size=2>173</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Chachapoyas-Region</font><td valign=top align=right width=8%><font size=2>213</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Colca-Tal</font><td valign=top align=right width=8%><font size=2>189</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Copacabana-Halbinsel mit Sonnen- und Mondinsel</font><td valign=top align=right width=8%><font size=2>285</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Das inkaische Cosqo</font><td valign=top align=right width=8%><font size=2>227</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Das koloniale Cusco</font><td valign=top align=right width=8%><font size=2>236</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Cusco und das heilige Tal</font><td valign=top align=right width=8%><font size=2>248</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Das Inkareich zur Zeit der Konquista</font><td valign=top align=right width=8%><font size=2>64</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Der Inkaweg nach Machu Picchu</font><td valign=top align=right width=8%><font size=2>260</font>
<tr><td valign=top width=3%><td width=89%><font size=2>La Paz</font><td valign=top align=right width=8%><font size=2>272</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Lima</font><td valign=top align=right width=8%><font size=2>128</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Machu Picchu</font><td valign=top align=right width=8%><font size=2>254</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Potosi</font><td valign=top align=right width=8%><font size=2>298</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Die präspanischen Kulturen (Zeittafel)</font><td valign=top align=right width=8%><font size=2>44f.</font>
<tr><td valign=top width=3%><td width=89%><font size=2>Sucre</font><td valign=top align=right width=8%><font size=2>310</font>
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